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Chapter 14, The Future of Luxury and Craft

What does luxury mean today?


Luxury has moved from what a guest possesses to what a guest experiences and feels. The scarce resource is no longer a fine room, which the guest can still buy, but an hour of undivided attention, their own or anyone else's, which the world has largely stopped supplying.

The analysts call it experiential luxury. The platforms have made the same thing scarce under a different name. Both are describing one resource measured two ways: the attention of a capable human being, directed at you, for long enough to matter. A guest at the top of the market can still afford the suite, the car and the wine. What they increasingly cannot buy, in the rest of their life, is a stretch of time in which someone is fully present for them. The properties that deliver that are the properties the trend reports now hold up as the future of the category.

The hoteliers and chefs I interviewed were operating inside this shift long before the reports documented it. Nicholas Yarnell, then general manager of Six Senses Douro Valley, was already running more than thirty complimentary experiences a week when we spoke: pickling workshops in an Earth Lab, singing bowl meditation, a resident azulejo artist teaching tile painting. The conviction behind the programme was that what the guest remembers is what the property arranged for them to do, rather than what it gave them to own.

“We spend a great deal of time and effort crafting experiences that will delight and surprise our guests.” Nicholas Yarnell, then general manager of Six Senses Douro Valley

The analysts were describing a category. Yarnell was describing his week. The same is true of the practices the earlier chapters of the book set out: the chef whose pre service briefing rehearses for one diner’s individual evening, the general manager whose lobby walk registers a returning guest by name, the concierge whose personal network produces something the guest could not have requested because it had not yet been imagined. None of that is new. What is new is the scale at which the rest of the industry is now being asked to produce it.

The channels through which attention is delivered have changed considerably, and the people in the book called those changes early. Krister Svensson, then general manager of The St. Regis Bangkok, put a butler on WhatsApp for a reason that sounds obvious now and was not then.

“We found that they are much more comfortable texting than calling” Krister Svensson, then general manager of The St. Regis Bangkok

That decision became the pocket concierge standard across the segment. What did not change was the substance of what the butler was doing on the other end of the message: noticing, anticipating, acting. The hoteliers and chefs in this book predicted the channel shifts almost exactly and never once predicted that the work itself would be replaced, and across the years of these conversations it has not been.

So the definition I would offer a leader today is a practical one. Luxury is the experience of being noticed and cared for by someone with the skill to do it well. That has always been what the best operators were selling. A world that is more automated and more distracted than the one they trained in is finally in a position to see it, and to pay for it.

The implication for an operator entering the field is specific. The question is no longer whether to compete on experience. The question is which experience this particular property is uniquely placed to deliver, and whether the operating discipline exists to deliver it consistently, to every guest, on an ordinary Tuesday.

Chapter 14, The Future of Luxury and Craft, opens with this shift from possession to experience and follows it through the five other changes reshaping the field, and the Final Note returns to why attention has become more valuable in the decade ahead.